by Helen Kenwright
It’s easy to get lost in our own heads, as writers. That’s not a bad thing: sometimes our minds just get full of Stuff and Feelings and Weird Imaginings that are much better off written down. But it’s also helpful to look more closely at the real world around us. Through observation we improve our descriptive skills, which in turn will make it much easier to write down the Stuff, Feelings and Weird Imaginings.
I have a ‘7 Sources of Inspiration’ list to turn to when I want to brush up my skills and get some new ideas along the way: objects, places, people, sounds, art, seasons and elements.
This is the classic writing exercise: choose an object and observe it in all its glory. Look at it from all angles, prod it, sniff it, lick it (if safe!). Look at it in different lighting. Through a magnifying glass. Through dark glasses. As if through the eyes of a child. Just really, really, look. It’s a classic for a reason: the more we look at something the more we forget it’s socially constructed label (‘pebble’) and the more we develop our own language for our observation, whether concrete description (‘gritty’, ‘smooth’, ‘rough’, ‘brown’) or more poetic (‘glittering mica’, ‘ice-smooth’) or delving straight into symbolic meaning (‘guardian of the centuries’, ‘essence of the earth’, ‘building block of creation’). It’s all good.
It’s amazing how little we do really observe the world around us, especially the familiar parts. Next time you read an amazing description of a milk jug in a novel, don’t think ‘I could never write like that’. Think, ‘Wow, that writer really understood that milk jug’. And then go off, notebook in hand, and find a milk jug to stare at for a while.Continue reading