Review: Lights, Camera, Fiction!

Lights, Camera, Fiction! by Alfie Thompson

reviewed by Susi Liarte

In this post I’m going to write about why I love this book, what it offers (and what it doesn’t) and how it can help writers among the many other writing books out there. I haven’t read any of the author’s other books, but I know she has published one called Writing for the Reader which I’m interested in checking out next.

Lights, Camera, Fiction! packs a lot into a slim, 250 page volume. Its tagline is “A movie lover’s guide to writing a novel”. The book approaches the subject by analysing several well-known films and picking out different aspects such as character and plot in order to showcase what they do well, and how this can work for novels as well as screenwriting. The core structure pairs one film for each topic as follows, but references and examples to other films are scattered throughout. Continue reading

NaNoWriMo, your wrists and the triumph of common sense

by Ekaterina Fawl

My first NaNoWriMo was a wild ride.

I’d heard about this challenge from a friend. They weren’t doing it that year; all my questions as to why not were met with hollow laughter.

I decided to give it a try, and do it all by myself. I didn’t join the website, thinking it would just upset me if the Internet recorded my early failure for the posterity. I didn’t think I needed a writing buddy, or any kind of community support. All I needed was write 1667 words a day for a month. Easy.

Continue reading

I write things

by Ekaterina Fawl

Writing has been my hobby and obsession since I was about seven, and it has also been my secret.

As a child I hid away the stories I scribbled in my spare school notebooks. As many kids, I was somewhat fascinated with the macabre. My stories were dark and gory and I didn’t want my budding goth aesthetics to cause any alarm to my parents.

Of course I never told anyone about my writing when I was in my teens. Even wearing the wrong kind of hat could destroy your social standing in those years, let alone admitting to something so hopelessly uncool and nerdy. I had spent enough energy trying to dodge the swotter label. What would my peer think about me doing extra writing – for fun! – after I meticulously finished all my homework for the day? Continue reading

The Landscape of Inspiration

by Susi Liarte

Imagine you are walking through an old town. The houses and paving are all made from local materials because these were the easiest to gather at the time. This is what it means to write what you know – to draw from the experiences and inspiration you have to hand. However, it does not limit what you can create because you are always gaining new ideas. When you are walking through a different story, a different author’s landscape, even when you are looking at familiar things they are built in a unique way. Your work from the past is also an old town; what you create now can capture its style or rise like a piece of modern architecture. Regardless, what you design with your imagination needs a strong foundation – the writing craft itself. Continue reading

Writer’s Block

by Ekaterina Fawl

This happens to every writer sooner or later: the words stop flowing. The muses have left. The writer’s block has descended, and you can’t write anymore.

That, of course, isn’t really the case. We’re always able to write. Any skills we have learnt are still there, our talent, imagination and creativity don’t disappear. And yet sometimes it feels like there’s no way to push through this slump, or worse, no reason to even try writing again. Continue reading

Why Write? Thoughts on writing for fun, health or wealth.

by Helen Kenwright

In this, the first of a series of guest blogs, Writing Tree Tutor Helen Kenwright takes a look at the different reasons people might choose to write, and how to keep motivation going.

When students first come to my classes I ask them what it is about writing that interests them. It’s a question they’ve usually been asked before, and they often find difficult to answer, unless they are hoping to write with a view to publication. It’s a strange phenomenon, when you think about it. Artistic pursuits form the basis of lots of common hobbies: writing, colouring books, salsa dancing, knitting, singing in the shower… but all too often we feel as if we’re daft for doing it, unless we’re really good. And there’s the paradox: like other skills in life, we’re unlikely to get really good unless we do it a lot.

So why bother? Here’s a few ideas. Continue reading